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Language Identity RecognitionCode Choice and Identity Construction n Stage challenges the general assumption that language is I only Like the Fingers of the Guy I Hate, Vol. 1 onlyne f the codes employed in a challenges the general assumption that language is nly ne f the codes employed in a performance; Sirkku Aaltonen changes the perspective to the audience

foregrounding the chosen 
the chosen variety as a trigger for their reactionsTheatre is 'the most public f arts' closely interwoven with contemporary society and language is a crucial tool for establishing. ,

Order In this book Aaltonen explores the ways in which chosen languages n stage can lead to rejection Church Planting Is for Wimps: How God Uses Messed-Up People to Plant Ordinary Churches That Do Extraordinary Things or tolerance in diglossic situations wherene language is considered uneual to another Through a selection f carefully chosen case studies the socio political rather than artistic motivation behind code choice emerges By identifying common Features Of These Contexts of these contexts the implications f theatre in the wider

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Orld this book sheds light ON HIGH VERSUS LOW CULTURE THE high versus low culture
the f translation 
of translation the significance f traditional and emerging theatrical conventionsThis intriguing study encompassing Ireland Scotland uebec Finland and Egypt emerging theatrical conventionsThis intriguing study encompassing Ireland Scotland uebec Finland and Egypt employs the perspective f familiarising the foreign and is invaluable reading for those interested in theatre and performance translation and the connection between language and socie. ,